Zsuzsanna Balázs – The ‘Swiftness’ of Yeats: Italian Fascism, Elitism, and W. B. Yeats’s Swift-Myth

Over the last few months, my research interest has turned towards the examination of the influence of Italian Fascism and authoritarian politics on William Butler Yeats’s oeuvre. I usually discuss this topic with regard to Luigi Pirandello’s and Yeats’s theatre, but this time, I chose to explore this theme in Yeats’s reading of the eighteenth-century…

Koncz Ágnes – The A(venge)-Team: Conclusions of Researching an Emancipating Monster

With this article, the first stage of my research ends. My conclusions are the following: Greider emancipates himself and others by obliterating the “main” Brenner bloodline; he becomes authority in a village where authority meant restraints and desolation of morals. At the end, he abandons the village like he was never meant to be there. Hell-bent…