Bozóki Vivien – A Play and a Performance with Two Interpretations (Rosencrantz and Guildenstern Are Dead Theatre Review)

A review of Szkéné Theatre’s production of Tom Stoppard’s Rosencrantz and Guildenstern Are Dead (dir. Szikszai Rémusz) by Bozóki Vivien Concerning Tom Stoppard’s rather absurd play Rosencrantz and Guildenstern Are Dead, I would hardly dare to declare anything. Hardly anything, except for the following: the performance at Szkéné Theatre, on the 12th of October 2015,…

Bozóki Vivien – A Stadium, Swear Words and Social Criticism (Hamlet Theatre Review)

A review of Örkény Theatre’s production of Shakespeare’s Hamlet (dir. Bagossy László) by Bozóki Vivien Shakespeare’s Hamlet played in a modern age can bring some surprises. Especially if it’s played in Örkény Theatre. For example, I would never have thought that Hamlet could be performed in an unchanging set that is a stadium for the whole time of the performance,…